Eye Poetry
Simba Russeau is an award winning multimedia storyteller living in Beirut, Lebanon.

She is available for photo and print writing assignments in Africa and the Middle East.

http://simbarusseau.wordpress.com
http://lightstalkers.org/simba_russeau
http://pa.photoshelter.com/c/simbarusseau

eMail: simbarusseau@gmail.com
Designed by Michel Dacruz

Angelina Billiu, a Sudanese refugee and housewife, sold kerkedeh in her traditional attire and wine-colored braids. Photo © Simba Russeau. 2009.Sharing Culture through foods
By: Hayeon Lee, June 16, 2009
Last Saturday, the second “Taste Culture” event took place in Souk al-Tayyeb, a farmer’s market that is held every weekend in Saifi Village near Gemmayzeh. Two tables were covered with food from Africa, including maandazis, a kind of deep-fried sweet bread from Kenya; kerkedeh, or hibiscus juice from southern Sudan; and a flavorful dish called trondo gasy, or white fish, deep-fried with tomato sauce served over rice, from Madagascar.
Angelina Billiu, a Sudanese refugee and housewife, sold kerkedeh in her traditional attire and wine-colored braids, and discussed with passersby and customers her life and her recipe. “I bought some [hibiscus] flowers from Bourj Hammoud. I washed them and soaked them in water for four hours,” she explains. “And then you just take [the flowers] out and you keep on adding sugar until it is sweet enough. I also added some rose water.” The purple iced drink was the perfect refreshment for shoppers wandering through Souk al-Tayyeb in the sweltering afternoon heat.
On the same table were small, diamond-shaped maandazis sold by the dozen. These Kenyan doughnuts adorned with black seeds are known to be served on any occasion except as a dessert, and although the Kenyan baker who made them wasn’t there to explain her pieces of art, the distinct, mouth-watering aroma of the maandazis spoke for itself.
At the next table, the fish dish cooked by Vivian Ravaorinnoro, a 46-year-old Malagasy woman, was sold out by early afternoon. She came by only toward the end of the festival, having been unable to take off time from working at her employer’s house. According to Ravaorinnoro, the batter used to deep-fry the white fish contains fresh ginger, and served with rice, the dish very much resembles a common meal eaten in parts of Asia. This sort of hybrid cuisine is distinctly Malagasy: Madagascar is an African country with many Southeast Asian immigrants.
Speaking freely with her customers, Ravaorinnoro described her difficult experience working in Lebanon for the past seven years.  “I take care [of] my children by myself.  I send all my salary” back home, she says.
The purpose of the food festival, according to Simba Russeau, a freelance multimedia storyteller who organized the event, is to honor the 200,000 or so domestic workers in Lebanon, who are mostly of African or Asian origin. By selling their food at an upscale farmer’s market in central Beirut, as well as giving them a chance to interact with Lebanese (and vice versa), the women participants can “share their culture.” The fair also “challenges stereotypes,” by showing Lebanese people that these women of color – generally regarded as just servants and maids – are also foreign businesswomen with complex cultural backgrounds. Russeau envisions the fair to be a “form of economic empowerment” for these women and hopes to organize other similar events.
This delicious food fair was washed down by a performance of Capoeira, a traditional Brazilian martial art dance, which drew a large crowd. Capoeira was a form of resistance for African slaves: They transformed their fighting techniques into benign-looking but artistic movements in order to continue training their bodies while deceiving their masters. In the context of these domestic workers working together for social and economic empowerment, the performance added meaning to this event, which was about resisting the status quo of how foreign domestic workers are viewed and treated in this country.

Angelina Billiu, a Sudanese refugee and housewife, sold kerkedeh in her traditional attire and wine-colored braids. Photo © Simba Russeau. 2009.

Sharing Culture through foods

By: Hayeon Lee, June 16, 2009

Last Saturday, the second “Taste Culture” event took place in Souk al-Tayyeb, a farmer’s market that is held every weekend in Saifi Village near Gemmayzeh. Two tables were covered with food from Africa, including maandazis, a kind of deep-fried sweet bread from Kenya; kerkedeh, or hibiscus juice from southern Sudan; and a flavorful dish called trondo gasy, or white fish, deep-fried with tomato sauce served over rice, from Madagascar.

Angelina Billiu, a Sudanese refugee and housewife, sold kerkedeh in her traditional attire and wine-colored braids, and discussed with passersby and customers her life and her recipe. “I bought some [hibiscus] flowers from Bourj Hammoud. I washed them and soaked them in water for four hours,” she explains. “And then you just take [the flowers] out and you keep on adding sugar until it is sweet enough. I also added some rose water.” The purple iced drink was the perfect refreshment for shoppers wandering through Souk al-Tayyeb in the sweltering afternoon heat.

On the same table were small, diamond-shaped maandazis sold by the dozen. These Kenyan doughnuts adorned with black seeds are known to be served on any occasion except as a dessert, and although the Kenyan baker who made them wasn’t there to explain her pieces of art, the distinct, mouth-watering aroma of the maandazis spoke for itself.

At the next table, the fish dish cooked by Vivian Ravaorinnoro, a 46-year-old Malagasy woman, was sold out by early afternoon. She came by only toward the end of the festival, having been unable to take off time from working at her employer’s house. According to Ravaorinnoro, the batter used to deep-fry the white fish contains fresh ginger, and served with rice, the dish very much resembles a common meal eaten in parts of Asia. This sort of hybrid cuisine is distinctly Malagasy: Madagascar is an African country with many Southeast Asian immigrants.

Speaking freely with her customers, Ravaorinnoro described her difficult experience working in Lebanon for the past seven years.  “I take care [of] my children by myself.  I send all my salary” back home, she says.

The purpose of the food festival, according to Simba Russeau, a freelance multimedia storyteller who organized the event, is to honor the 200,000 or so domestic workers in Lebanon, who are mostly of African or Asian origin. By selling their food at an upscale farmer’s market in central Beirut, as well as giving them a chance to interact with Lebanese (and vice versa), the women participants can “share their culture.” The fair also “challenges stereotypes,” by showing Lebanese people that these women of color – generally regarded as just servants and maids – are also foreign businesswomen with complex cultural backgrounds. Russeau envisions the fair to be a “form of economic empowerment” for these women and hopes to organize other similar events.

This delicious food fair was washed down by a performance of Capoeira, a traditional Brazilian martial art dance, which drew a large crowd. Capoeira was a form of resistance for African slaves: They transformed their fighting techniques into benign-looking but artistic movements in order to continue training their bodies while deceiving their masters. In the context of these domestic workers working together for social and economic empowerment, the performance added meaning to this event, which was about resisting the status quo of how foreign domestic workers are viewed and treated in this country.

Photos are courtesy of George Haddad.Saturday May 2, 2009 - On Labour Day, the Souk el Tayeb hosted Taste Culture: A festival honouring women migrant workers in Lebanon through their foods. There are around 200,000 foreign domestic workers in Lebanon. This means, one in every twenty people is a domestic worker, mostly from Africa, South and Southeast Asia.In addition, there are also students, professionals and artists from around the world that also adds to Lebanon’s rich cultural diversity. “In Lebanon, community is experienced through their foods,” says organizer of the Taste Culture event, Simba Russeau. “It’s in this tradition that I thought what better way to deal with the issue of women migrant domestic workers in Lebanon by sharing cuisines from their countries as a way of promoting dialogue and challenging stereotypes through cultural exchange.”
Photos are courtesy of George Haddad.

Saturday May 2, 2009 - On Labour Day, the Souk el Tayeb hosted Taste Culture: A festival honouring women migrant workers in Lebanon through their foods. There are around 200,000 foreign domestic workers in Lebanon. This means, one in every twenty people is a domestic worker, mostly from Africa, South and Southeast Asia.

In addition, there are also students, professionals and artists from around the world that also adds to Lebanon’s rich cultural diversity. “In Lebanon, community is experienced through their foods,” says organizer of the Taste Culture event, Simba Russeau. “It’s in this tradition that I thought what better way to deal with the issue of women migrant domestic workers in Lebanon by sharing cuisines from their countries as a way of promoting dialogue and challenging stereotypes through cultural exchange.”

After a late start, foods from Nigeria, Kenya, Brazil, Korea, Sri Lanka, Cote d’Ivoire and Southern Sudan began to fill the empty tables. Several minutes later crowds surrounded the tables with curious visitors interested in tasting and learning about the various dishes. “This was great and I hope we do it again next week,” says Aimee, a community leader and migrant domestic worker from Madagascar. “Next time we will have foods from Madagascar!”
After a late start, foods from Nigeria, Kenya, Brazil, Korea, Sri Lanka, Cote d’Ivoire and Southern Sudan began to fill the empty tables. Several minutes later crowds surrounded the tables with curious visitors interested in tasting and learning about the various dishes. “This was great and I hope we do it again next week,” says Aimee, a community leader and migrant domestic worker from Madagascar. “Next time we will have foods from Madagascar!”

The crowds really began to swell as the Capoeira Sobreviventes started performing. Capoeira is a traditional Afro-Brazilian martial arts dance, which originates from slaves as a form of resistance and celebration of their African traditions. The event was a kick off for a week of cultural appreciation in collaboration with several student groups at the American University of Beirut where workshops were offered in Indian and Sudanese dance, Afro-Brazilian arts and cultural tolerance. “Next time we hope to showcase new cuisine from Madagascar, Ethiopia, Liberia and Sierre Leone,” adds Simba Russeau. “Abrigados to Kamal and the Souk el Tayeb, those who prepared the dishes, Nisreen Kaj and Hayeon Lee who really dedicated a lot of time and energy to help me make this happen. And of course to the women migrant workers who offer inspiration and wisdom and great cuisine!”
The crowds really began to swell as the Capoeira Sobreviventes started performing. Capoeira is a traditional Afro-Brazilian martial arts dance, which originates from slaves as a form of resistance and celebration of their African traditions.

The event was a kick off for a week of cultural appreciation in collaboration with several student groups at the American University of Beirut where workshops were offered in Indian and Sudanese dance, Afro-Brazilian arts and cultural tolerance.

“Next time we hope to showcase new cuisine from Madagascar, Ethiopia, Liberia and Sierre Leone,” adds Simba Russeau. “Abrigados to Kamal and the Souk el Tayeb, those who prepared the dishes, Nisreen Kaj and Hayeon Lee who really dedicated a lot of time and energy to help me make this happen. And of course to the women migrant workers who offer inspiration and wisdom and great cuisine!”